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Stephanie Hemming

Celadon Moon Jar

Celadon Moon Jar

Oil on board, 40 x 36cm, 56 x 52cm framed, £795

Snowberries on Striped Cloth

Snowberries on Striped Cloth

Oil on board, 20 x 25cm, 36 x 41cm framed, £450

Prindi's Pots

Prindi's Pots

Oil on board, 40 x 35cm, 56 x 51cm framed, £600

Apples with Sally's Jug

Apples with Sally's Jug

Oil on board, 50 x 24cm, 66 x 40cm framed, £650

Yellow Bowl with Chinese Money Plant

Yellow Bowl with Chinese Money Plant

SOLD oil on board, 20 x 25cm, 36 x 41cm framed

Still Life with Coffee Cups

Still Life with Coffee Cups

SOLD oil on board, 30 x 20cm, 46 x 36cm framed

Still Life with Johanna's Teapot

Still Life with Johanna's Teapot

SOLD oil on board, 50 x 50cm, 66 x 66cm framed

Cyclamen with Tessa's Figs

Cyclamen with Tessa's Figs

SOLD oil on board, 50 x 50cm, 66 x 66cm framed

Neil's Jug with Check Cloth

Neil's Jug with Check Cloth

SOLD oil on board, 32 x 38cm, 48 x 54cm framed

Rachel's Teapot with Pears

Rachel's Teapot with Pears

SOLD oil on board, 30 x 25cm, 50 x 45cm framed

Cherries with Sally's Jug

Cherries with Sally's Jug

SOLD oil on canvas, 50 x 40cm, 66 x 56cm framed

Based in Cambridge, Stephanie has developed her practice through a lifetime’s interest in the work of other artists and attending short courses and working with other painters. She has spent many long breaks in Cornwall where she explored the landscape and attended St Ives School of Art and Paul Wadsworth’s courses.  Since retiring, 10 years ago, she has been able to pursue and develop  her work with more freedom.

Stephanie’s  work is mostly of loved landscapes and treasured objects. Her partner is a potter and runs a large shared studio. It is here that she finds much if her inspiration for her still life compositions. Many of her still life paintings feature loved and familiar objects and work by potters she knows.Inspired by artists like Matisse, Morandi and Scott, Stephanie’s still life paintings are studies in shape, pattern, space and colour. Using muted and pastel colours and with a disregard for perspective and scale, she seeks to satisfy the eye rather than the brain.

 

Stephanie favours working in oils, building up layers of colour and texture and using  line, incision  and scratching  to give definition, depth and texture. She is exploring ways of developing her aesthetic into a fresh approach to landscape painting.

She has exhibited successfully at a number of galleries and exhibitions in the East of England.
 

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